Vote Attila: Pitch

Logline: A debate shakes the colosseums. Who should take over the Roman Empire? Then, a new candidate emerges: Attila the Hun.

Fantasy

High Budget

Short Synopsis

Most people know Attila the Hun was a warrior, called the scourge of Rome. Attila has featured in novels as a villain or a hero.   but he’s sometimes confused with Genghis Khan, who was hundreds of years and thousands of miles away.

Very little information exists about the real Attila. So while we wish to portray an accurate portrait, this isn’t completely possible. Instead, we wish to spark the audience’s curiosity about history, by making the character come to life, the way big movies bring toys and books to life. For too long, characters like Attila the Hun or Genghis Khan were simply caricatures in films like Night at the Museum and Bill and Ted’s Excellent Adventure. It’s time to give Attila centre stage in his own story.

While our script does not pretend to portray the real Attila, it creates enough context to help us understand him a little better. But more importantly, the film will be designed to maximize the appeal of the character and his time. In the way Lego Batman suggests that there is more to the superhero than what we see in that movie, we’ll hint that there’s more to the Hun.

May involves large mammals, crowds and stadiums.

Updates to the project will be available at: http://voteattila.com/

About Me

People who have worked on my films have gone on to acquire agents, get art commissions, and advance their careers in film and other industries.

I started out as an actor and poet, who was considering a career in hairdressing, among other things. Then, a friend of mine borrowed his father’s camcorder, and before I knew it I was asked to write screenplays.

In addition to screenplays, I’ve written poems, short stories, magazine articles, web copy, a novel, stage plays and screenplays, as well as speculative radio plays. I hope to add comic books to the list. Most of my writing is around history or is fiction.

I also do administrative work (including all the budgeting, transcribing, marketing and web design) and acting, and have had a hand at post production (including animation.)

I’ve acted in festival films and corporate films, post produced and crewed in corporate films, and done more on NGO and student films. More details of my experience may become available when I apply to work on your project.

A partial profile is here:
https://www.linkedin.com/in/udigrudi/
bloggy company website:
http://ptara.com

What I Want

First choice would be for an executive producer or development executive to make this film happen. Or maybe an agent. Someone with access to funding, or who at least has the nerve to try to raise money.

Even if we can’t raise enough to make it into a film right away, maybe it could work as a comic (first).

I hope to add this film to the Vote Attila website: http://voteattila.com as perhaps a proof of concept. I’m also seeking money to make the website better. I’ve begun an Attila feature, and being commissioned to finish that would be fantastic.

We plan to move this project toward inclusion in schools, as an introduction to Classical history. Teachers, museums, and others can show this film as part of a lesson about barbarian invasions, the colosseum, the Roman senate, and other issues presented and alluded to in this film.

Do you think you could help me get: Commissions for other projects? A job as a staff writer for a cartoon series? Funding to do this professionally? If that sounds too difficult, then this project probably isn’t for you.

Even if you don’t have the money to get this film made, perhaps you can join our team, so I can mention you as a team member when I apply for funding. In that case, let me know what attracts you to this project, and what you feel you can add to it (and a link to your Viadeo, Linkedin, Xing or other professional profile.)

If you’re interested in helping Attila in another capacity, let me know.

Continue reading Vote Attila: Pitch

Happy Fathers day, Glad Fars Dag

Happy Father’s Day!

I’ve never been to Sweden.  And no, I’m not half Swedish either.  So, why say Happy Father’s Day in Swedish? Well, we all have the same amount of days in a year, and we all have fathers, but the Swedish are allegedly the happiest people on earth. And, as our hobbies include history and geography, and as Napoleon was a father who spoke multiple languages (even though he wasn’t Swedish), I thought, why not say it in Swedish.

Sweden also has Waterloo. While Waterloo may be based in Belgium, and Napoleon might be a Frenchman from Corsica, and Waterloo might be a town in Canada and a tube stup in London, Abba, a Swedish band, sang about it.

They have Abba! Maybe that’s why the Swedes are so happy.  Or, are they?

If you ask people “are you happy?” who’s more likely to say yes, a free man, or a prisoner?  If you live under tyranny, you’re more likely to hide your unhappiness, for fear of retribution.  So, asking someone “are you happy” is nonsense.  It’s the worst possible way of gauging happiness.

Now, here’s some reasons I think Sweden is actually miserable.

1) Swedes are more likely to vote for extremist politicians than the average country.

2) Sweden has a higher suicide rate than the average country.

(Sweden’s suicide rate is higher than that of the United States.)  While some Buddhist and former Eastern bloc countries have higher suicide rates, Sweden has one of the highest suicide rates in the developed Western world.  (Belgium doesn’t really count because of the legal suicide.  Belgium has a phenomenon of suicide tourism, where people come from other countries to Belgium to die.)

3) Sweden has a high emigration rate.

That’s right, emigration, not immigration.  Sure, a lot of people from the developing world come to Sweden for opportunity, and we hear about the “immigration crisis”, but we don’t hear about all the people leaving.  Tens of thousands of Swedes leave every year, and you don’t normally leave your home country unless you’re unhappy in some way.  Considering the small size of Sweden’s population, the departure level is even more significant.

So, what’s all this mean?

Well, if you live in Sweden, you can continue to be happy that you have Abba.  If you don’t, you can be happy that you don’t live in Sweden!  Happy Father’s Day, Glad Fars Dag.

The BBC is worse than Trump

According to the Wiki people, “Studies show Latin American men understand masculinity to involve considerable childcare responsibilities, politeness, respect for women’s autonomy, and non-violent attitudes and behaviors.”

Masculinity with a latin accent, or machismo, is being used as a word to describe criminals by the BBC and others.  They are contending that traditional Spanish culture is very bad, making it violent and aggressive toward women.  It sounds like the things that Trump said about “Mexicans”, but at least Trump ended with “some of them are good people.”

Now, if a criminal gets away with something, that’s not the same as a bar full of smelly men being rude, and the rude men are not necessarily the same stereotypes as shown in The Three Amigos.  Machismo is not just a term to describe bad behaviour among men, it is a term to describe a certain view of masculinity.  And, that view is generally chivalrous, and not violent.  The macho is Zorro, not El Guapo.

It’s ironic how Killroy’s outburst got him fired, but similar attacks on hispanic culture seem not only tolerated, but published as official BBC “news.”  Sure, there was a news story in any injustice being done, but for an entire culture to be blamed for the acts of one judge and a few men, well, I thought that disappeared in the 1940s.  Trump’s tirade against Hispanics no longer seems shocking, now that the BBC has gotten into the act.

What your LinkedIn headline means to me

Montage of linkedin headlines that came up in search
mix of headlines and profile pictures

I like people who talk about themselves. It’s more interesting than politics, or academic philosophy. Let me know what you’re doing, what you’re struggling with, what your dreams are, and I can see whether we can help each other.

Now, increasingly, more and more LinkedIn titles are meaningless. They are philosophical sales pitches that tell me nothing other than ,”I waste too much time reading advice from life coaches.” Continue reading What your LinkedIn headline means to me

How do writers get paid?

There’s a common misconception that writers get paid per word.  But if you look carefully, only amateur writers, bloggers and diploma mills quote how much a writers should be paid “per word.”  But we’ll get back to that later.

“Writing for a penny a word is ridiculous.” – L Ron Hubbard, sci fi writer, 1948.

L Ron Hubbard supposedly bemoaned the low pay of science fiction writers in a conference in 1948, but he was quoted in an LA newspaper thirty years later.  So, even back in 1948, a penny a word was considered low pay for a writer.  Well, the average salary in 1948 was about 1/20 of what it is now.  So, perhaps today he would have said, “writing for 20 cents a word is ridiculous.”

Science fiction was one of the lowest paying genres in 1948, and it still is today.  But, L Ron Hubbard was misleading when he suggested that sci fi writers get paid per word.  They actually get paid by rights, and those rights are only occasionally priced per word.

By rights

I know what some of you are saying to the above, especially those who dream of writing sci-fi “this or that sci-fi magazine pays per word.”  Well, they don’t tend to commission per word, they buy a set of rights such as “first serial rights” or “first American/British serial rights.”  And then, they pay per word for those rights.

How is that different?  As a writer, you’re not writing what they ask you to write, they don’t give you a theme, and the stories aren’t time bound.  You write according to your own initiative, and therefore if the first magazine doesn’t want it, it’s still marketable elsewhere.  Even if the first magazines does pay for it, they only get the rights to publish it in one issue of their magazine. You can still get royalties for your work by publishing it in an anthology, or by selling secondary serial rights or rights in other countries.

By royalties

Okay, so you’ve sold the first American serial rights to your favourite sci fi (or should I say favorite, as it’s North American?)  Well, the story is still yours to put in an anthology, adapt into a play or a screenplay, or expand into a novel.  When you’re writing novels and anthologies, you often get paid royalties.  In physical books, where the publisher does the marketing, print and distribution, the author often gets 10 to 15 percent of the cover price or sales price.  So, the more people who buy your book, the more you get.

By advance

If you’re working on non-fiction, or are a well known author, or your story is so great that the publisher has confidence in it (and is afraid of losing you to the competition), then you’ll get an advance on these royalties.  In other words, you’ll get paid a certain amount up front, and get royalties in addition if the book sells better than expected.

This is a risk to the publisher, but the publisher is taking a risk printing and distributing your book anyway.  Advances used to be standard practice, it’s the amount of the advance that differs.

By commission

In screenplays, many works are commissioned.  That means the writer doesn’t write a word until hired.  The commission might be to write an outline, treatment and two drafts.  The writer is still working generally as a freelancer, and has sold many of the rights, depending upon the contract.  (If you’re adapting Wuthering Heights, good luck on negotiating the book rights.)

Even with commission, writers normally keep a few points in standard contracts.  However, when commissioned, the writer might not be the originator of the story, and in some cases may even lose copyright.

By time

Mean annual wage for writer or author (or average wage): $72,120.  Median annual wage (or wage for the average writer): $61,820  (Source, the US Bureau of labour and statistics.)

Instead of being commissioned to write a certain amount of stories, or selling the rights to certain territories, or getting royalties depending upon how popular your book is, many journalists are paid for their time.  They are employees.

These writers are the ones who churn out the most stuff, because they don’t have to spend time researching markets, only the storylines.  So, an in house journalist may write multiple stories per day.  However, the quality of these stories is generally lower, not only because they are churned out so quickly, but because they merely reiterate facts that are fed to them.

Writers who are paid by time may only write an occasional story, and spend most of their salaried time interviewing or researching (if they are working in a journalistic capacity), or even negotiating on behalf of the company (if, for instance, they are working for an ad company.)  Some writers have a weekly column that they work all week on.

Most salaried writers are paid an annual salary rather than an hourly one.  In fact, I never seen a proper writing job that pays for a unit of time as small as an hour, it’s always been by year or at least by month. I don’t think salaried actually clock in and out like I used to at directory enquiries, and when they are writing those big pieces, their hours probably increase closer to the deadline.

 

Why new technology should never be used to measure inflation

The UK government is cheating with inflation figures. For a while, camcorders were on the list of items in which prices were compared to overall inflation. Now, action cameras are.

Why do I call this cheating? New tech always starts off expensive and drops in price. The initial price is what funds development. Then, after ten or twenty years, the patents run out and the tech drops even more. Continue reading Why new technology should never be used to measure inflation

Is LinkedIn rubbish on purpose?

LinkedIN job post screenshot. See caption for description.
A job that has nothing to do with my skills (nor previous jobs nor education), in an industry I’ve never worked in. This is typical of what is recommended to me. Notice how at the bottom it says, “you have 1 of the top skills among applicants, find the 9 missing skills.”  The free upgrade is a trial of course, and it requires a credit card.

Ever since LI acquired Lynda.com, I’ve noticed that the job recommendations have gotten even worse. I’m told I have only one of the ten top skills for a job, or often none of the top skills, yet it is recommended to me anyway.  And no, these jobs do not match my previous job titles, and generally aren’t even in my industry. Continue reading Is LinkedIn rubbish on purpose?

How to run a successful film festival

With only two screens, Aberystwyth, may not seem like a logical home for a film festival, but in the 20 years since I’ve moved here, the town has hosted over 20 failed film festivals. And, I’m sure there have been many other failed festivals that I never heard about.

Over those twenty years, only three festivals have continued to this day, and only two of them are still in (or partially in) Aberystwyth.

Aberystwyth is not unique in being a home to failed film festivals.  In fact, film festivals are probably the riskiest part of the film business. At least with a film, you have a recorded document to show as a kind of proof of your hard work.

If you’re determined to run a festival anyway, make sure you do it right. Continue reading How to run a successful film festival