Reading the trades, I discovered that only about 1100 writers worked on films in Hollywood last year. Sure, more than that worked on TV, but most elite members of the WGA only work about one year in three (if at all). And, when they do find work, their pay is still less than many less […]
The following post is filled with #irony making it #ironic . It’s not meant to be useful, any utility is purely accidental. Punctuation is intentionally misplaced to suit the hashtag. You know one of the most ironic sayings ever? “A picture is worth a thousand words. ” That’s seven words long. Try drawing a picture […]
Or, “Three Ways to Collaborate on a Screenplay.” A lot of people offer advice to screenwriters. We don’t. We write scripts in house, produce our own stories, and provide services to film production companies. So, screenwriters are not our target market. So far, apart from a few student projects where working as part of a team was […]
Are you looking to develop an original script? Ptara’s a script writing services include writing outlines, treatments, and fixing dialogue to a good first draft. By first draft we don’t mean that we just send you a rough set of words, but we work on the script until we feel it’s ready.
William Goldman shares two important lessons in Adventures of the Screen Trade. First, he claims that Nobody Knows Anything. Then, he contradicts himself with his strongest piece of advice : Protect Your Story’s Spine To The Death. Yes, Goldman whines and whinges melodramatically about how screenwriters are on the bottom of the power ladder, how […]
Conventional wisdom* among amateur directors and beginning film lecturers is that camera directions should “never” appear in a film script. Yet, the camera is probably the one thing that separates a screenplay from a stage-play. (Okay, so there’s CGI, logos and subtitles, as well as editing overlays, but the stage can have its own version […]
In film school, we usually learn to shoot without dialogue. Historians nostalgically look back to the silent era. Purists, like Hitchcock, have complained that today’s movies are too talky. But aren’t we a bit hard on dialogue? Even Eisenstein, the famous Russian formalist known for his silent “montage”, saw it’s uses.
Yes, Brazilians make movies too. You might have seen one of them, if you’re into the art scene and reading subtitles. Oh, and not only do they make films, they also complain that the movies don’t accurately depict their country.